Lynn Marie Mutchler-Reif
I am a visual artist whose practice is grounded in textile art and one-of-a-kind woven works for wall and floor. My work is practice-led and research-informed, shaped by long engagement with material lineage, sustained practice, and the structural intelligence of weaving. Through textiles, I investigate how meaning, labor, and philosophy are held, transmitted, and transformed through material systems. This site brings together my artistic practice, research interests, and systems-based experience.
My Practice
My practice is rooted in textile art as a way of thinking through structure, rhythm, and material restraint. Working primarily in handweaving, tapestry, embroidery, and mixed media, I approach traditional fiber techniques as flexible frameworks rather than fixed references. Landscape, balance, and personality often serve as points of departure—not as images to depict, but as conditions translated through repetition, symmetry, and tension.
My Research
My research is shaped by a lifetime of working with how meaning is constructed and interpreted through art making and visual systems. Informed by decades of experience in film and video production, artist representation, and sustained studio practice, my inquiry considers creative work as a site where perception, authority, and value are negotiated. I approach art making as a form of thinking—one that registers time, attention, and intention through process. Across media, I am interested in how meaning is established through framing, circulation, and material conditions, and how forms of knowledge become legible, credible, or naturalized within cultural contexts.
Central to my research is long-term engagement with eastern philosophies, which inform my understanding of impermanence and relationality as methodological tools rather than abstract concepts. Rather than treating meaning as fixed, I am interested in how it emerges through practice, duration, and use. Current research interests include the transmission of knowledge through practice, the role of context in shaping interpretation, and the ways cultural, ethical, and economic value are produced and preserved within creative systems. This research remains closely tied to making, with practice functioning as both method and mode of inquiry.
